Categories
Cinema Electronic arts

Algorithmic Editing & Database Cinema

a blog about Future Cinema, and a good article about the Kinder/Manovich debate on database vs. narrative.

Categories
Cinema Science

Capturing the mind of a child

If psychologist Jean Piaget was the scientist who managed to capture how children view the world, probably the artist who managed to do this best on film is Jacques Doillon.

Categories
Cinema Electronic arts

Moving projectors

In 1977, I began to wonder why movie cameras move and movie projectors do not…” says media artist Michael Naimark.

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Cinema

This is not a film

Shot in part with an iPhone and smuggled to France in a cake to premiere at Cannes, «this is not a film» is a statement from Iranian film director Jafar Panahi, who has been assigned to his home and forbidden to make films by the government of his country.

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Cinema

Dziga Vertov

Dziga Vertov was first the pseudonym of an avant-garde soviet filmmaker, and then became the name of a group created by Jean-Luc Godard in the 1970s during his revolutionary period.

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Cinema

Spirales

To celebrate the 90th birthday of Chris Marker, the ciné-club of the University of Geneva has organized a retrospective of his work.

Categories
Cinema Interactive design

Jean Rouch vs. Experimental Design

Rétrospective de Jean Rouch et Luis Buñuel à la Cinémathèque portugaise. En même temps que EXD’11, et le Estoril Film Festival.

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Cinema

Film Curating

The London Film School offers a MA in Film Curating, since October 2010.

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Cinema

Esse est percipi

«Film» is the name of the first film written by Samuel Beckett, directed by Alan Schneider, with Buster Keaton as the lead.
Fanny Deleuze has proposed a geometrical diagram in «L’Image-Mouvement» to represent the relationship of persecution between the viewer/camera (OE) and the actor/character (O).
Film reminds me of «L’Âge d’Or» and «Elephant Man» altogether.

Categories
Cinema

Aleph

Aleph: Anatomy of an Experiment is an ethnological documentary about the technicians and researchers of CERN, in Geneva. The film was shot over the period of 4 years, between 1987 and 1991, by Lynn Silverman, in 16mm.